She was never able to trace the changes her attitude had undergone, from the time when she believed herself to be the pampered Queen of Fortune, the crown of a good man’s love (and secretly, but nobly, worshipping some one else), to the time when she realized she was in fact just a mannequin for her lover’s imagination, and that he cared no more for the realities of her being, for the things she felt and desired, for the passions and dreams that might move her, than a child cares for the sawdust in its doll. “No, I’m not a virgin. I suppose you have come to see your granddaughter. Sheppard," said the carpenter, advancing to meet her, and trying to look as cheerful and composed as he could; "what brings you to town, eh?— Nothing amiss, I trust?" "Nothing whatever, Sir," answered the widow. The mother was far more real to her than the father; the ghostly far more substantial than the living form.
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