” “You are willing to give up your position, your beautiful houses, your carriages and milliner’s accounts to come back to Bohemianism?” “Why not?” Annabel declared. In one of these seats, at the end of the aisle farthest removed from the chancel, the widow took her place, and addressed herself fervently to her devotions. Brown or Jones, I dare say. “You really couldn’t ride in it,” he said, deprecatingly. She realized more and more the quality of the brink upon which she stood—the dreadful readiness with which in certain moods she might plunge, the unmitigated wrongness and recklessness of such a self-abandonment.
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