" "God forbid!" exclaimed Wood, fervently; and, as if afraid of prolonging the interview, he added, with some precipitation, "But I must be going: I've stayed here too long already. I don't believe his name is Taber. ” “For my infertility. ’ ‘What young lady?’ demanded a voice from the back of the hall. ” Frenchmen, they are different. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. “I never saw Courtlaw with her—never heard her speak of him. They were properly brought up, and sat still and straight, and took the luck fate brought them as gentlewomen should. “I’ve never been prone to them. His nose was large but also fine and angular, tapering to a point at the end like a nobleman’s.
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